Friday, 16 October 2015

Fantastic Analysis of Sophia The First


Sophia The First is an animated tv series especially for kids. The cartoon is mainly played by a sweet little princess who always goes looking for the positive side of every thing.

The girl Sophia was just once a villager whose mother got married to the king. Well, the story is some kind of a “happy ever after” one but the series itself doesn’t focus on that. Rather, how the princess interacts with the people around her is.

Most of the Disney movies had portrayed step brother or sister an antagonist in their past pieces, however in this one, they show not the same. Sophia’s step sister Amber though so sophisticated is still as sweet as their funny brother James. Even the mother plays a good role to rule the goodness in the viewers.

Every episode of the series plays a great part in the consciousness of an individual. Values and right conduct are mainly the spread out of the story.

Just like in one of the episodes when Sophia had her first sleepover party as being a princess. She invited her villager friends instead of the other princesses. It totally radiates the essence of being true in oneself; Sophia gets to stand with the friendship she and her friends have despite the fact that she’s now a princess. She still treats everyone equally. She accepts mistakes, she learns, she forgives, she perseveres.

All the story reaches to tell is that riches isn’t the price of being wealthy, having good manners is. Also, growing a kid shouldn’t just be “go and grow” one, rather a “come here, I’ll tell you how, why, what you discovered.”

Archetypal Analysis of Biag ni Lam-ang


In  Biag ni Lam-ang, the epic itself is told by its title. Like any other countries and places, Philippines has also its highly appreciated mythology, and Lam-ang is one of the characters in the Philippine literature to portray a strong, brave, powerful, and god-like mortal.

The story began with the birth of the character who at the age of two was already as big as a man.Myth in this part is the belief that Lam-ang is someone like a highly person who could bring down anyone. He had magical pets - a dog and a rooster - helping him get through the battles of life.

The first battle he and his pets had was the one he went searching for his father who got killed by the tribe of Igorots. He sought revenge and made uncountable fights. And after he found satisfaction for the vengeance, he went home and passed a river on the way.  He was then cleansed by the women by the river. Dirt all over him were washed off; it even killed the animals living in the water. This represents new beginning, redemption, purification from the bloodshed encounters in his life.Also, it shows that there are still more challenges to come.

Upon reaching home, Lam-ang decided to court Ines, the most beautiful in the old times. There, new challenges in Lam-ang’s life continued. And in the end, he got to win the woman’s heart and woman’s parents’ vote, still with the help of his magical pets. They got married, but his story didn’t end there.

After the feasting for their marriage, Lam-ang was tasked to do test to prove that he was worth it for the woman. He swam the deep see to catch a gigantic shell but he got swallowed by a large shark which in fact this was already his own premonition. But again, with his pets and Ines, he got resurrected. And Lam-ang and his wife rejoined.

In this epic, commonly, magical transportation, resuscitation, and the like are evident. Like any other epics, the story bears supernatural theme. This just adheres the mythical characteristic of the piece. From the unusual birth, miraculous growth, his life adventures, to the victorious moments, the essence of the values of strength, leadership, bravery, and honor spreads all over.

Monday, 27 July 2015

Traditional Analysis of A Child of Sorrow

One of the prominent writers of the Philippines in the 19th century was Zoilo Galang. The writer was born in Bacolor on the 27th of June in 1895. He had spent his young life in that well-known town where most of the writers and artists came from. At a very young age of 12, he was already fond of learning what he was and his home had been; he had his most ardent desire of pouring himself to reality and facts in encyclopedias which elevated him in life and as being a Filipino encyclopedist and the 1st English-language Filipino novelist with his masterpiece "A Child of Sorrow."

Galang's "A Child of Sorrow" novel has been the most remarkable as being the first Filipino's pride in novel pieces. The story is led by two people who met under the colonization of Americans and along the naivity of the country to traditions and stuffs. In the story, Lucio - the man but with books - knew Rosa as being fatherless which discouraged him to fight for their love. Aside from that, as part of such goverment, high positioned people are the most powerful. And little people know, Rosa's father was their very governor. Hence, this made both of them more apart, for the lady was already arranged to be married to a rich guy who was in fact overheels with her. The relationship among the three people - Lucio, Rosa, and Oscar - was a desperate one leading to emotional downfall and mental abuse. Rosa died of sadness; Oscar suicided after Rosa; and it ended with Lucio growing with full of regrets and the realization of himself as being a child of sorrow.

Since the novel was published at 1921, it is indeed a reflection of Zoilo Galang's personal life and his time. It shows the social and intellectual currents from the Spanish to the Commonwealth era. Clearly, the author wrote his piece with regards to his environment which gives a vivid description of simplicity and mundane lifestyle to the life of the novel's protagonist, Lucio Soliman.

Galang selected love as his theme which was within the social context, economic and political living of people. Also, during the mid-18 thto 19thcentury there was a sentimentalist movement in Europe and it greatly affected the literary traditions of all writers in the world and one of them was Galang. In reference to the historical movement of Sentimentalism during the 18th century, this is a European idea that emphasized feelings and emotions, a physical appreciation of God, nature, and other people, rather than logic and reason. The impact on the people was that love became as important in marriage as financial considerations. European sentimentalism arose during the Age of Enlightenment, at the same time as sentimentalism in philosophy (link). The novel is a magnificent allegory of scorching attack on the corruption in every aspect of the 19th century Philippine social, political and religious life. However, Galang also sees his novel as an outcry against the oppression of Filipinos by the corrupted society, church and governments indifference. Aside from a number of historical and biographical features of Galang's life which are found from the novel, there is still aspect of Galang's real-life that he did not include in the novel such as his migration in Columbia to finish an academic degree (THD)

The novel doesn't only tackle about the characters' unrequitted love but also of the government and people. Galang like Rizal wrote this with same point - to make the Filipinos realize how naive they were. Despite the tragic end, the story has hauled the goverments impotence as well as its people to wake up from oppression.

Formalist Analysis of Naming the Parts

"Naming the Parts" by Henry Reed in a formalistic view is a poem that fire backs war. With regards to the 2nd speaker who cleary indulges informally to the lecture of becoming a soldier, he is off to some search for his real nature which is not becoming one.

In every naming of the lecturer to the rifle's part, the young recruit ends up imagining and relating them to the things around as if he were finding and appreciating the beauty in life while it lasts. The poems depicts a clear contrasts with the instructions being given about the rifle with the human values of beauty, love, and freedom, and personal fulfillment as symbolized by the surrounding or by memories.

The senselessness of war is but caught up in a huge impersonal mechanism which is powerless to escape. Yes, war is explored in the piece to denote the destruction of bounty of earth. And not only that, other aspect of life is also conveyed in the discourse of the poem, especially about the beauty of lovemaking. It points out about the indictment against human beings for considering war not love, within the family of man (Palm 1998). The poem ends where reality - lecture of the naming of rifle's parts - comes back and where stopping the war is off.

Mimetic Analysis of The Lady and Her Five Suitors

"The Lady and her 5 Suitors" is one of the Arabian literary pieces which depicts a real state of this world - full of oppressed andoppressors; played and players - as viewed in memetic approach.

Herein the story, the beginning presents the main character, her status and marriage in life. Since her husband is a traveler and is been absent for so long, she pursues her love affair with a young handsome merchant. The woman is clearly an ennui. Charging from that and her love for her life, when the young merchant is being held up for prison, all she has and could do are put to risk and yes, fun in such unconsiderable manner just to take him back as if he's a trophy. But as a woman of men, she has her feminity over the nasty eyes of highly men in the city. She plans everything; she got in touch with a carpenter to build a human-size cabinet to be able to fit 5 persons and she easily lured the Kali, Wali, Vezier, and the King since they all desire her. She gets the Wali to write a release note for her lover and gets to put them into the freshly made cabinet because they each time fear the next one to be the lady's husband. The carpenter as well is locked up due to his dispute with the lady over the size of cabinet. The 5 suitors are all left there for days 'til they are found in fancy clothes and urines by the neighbors. Meanwhile, the prisoner makes it out and runs away with his knight in shining lingerie to another city.

This piece is all about trickery for wants and love. Furthermore, it denotes that in life nothing is fair. Everyone just needs and gets to play with that reality so very well to adhere from giving up.

Formalist Analysis of The Sick Rose

"The Sick Rose" by William Blake as viewed in a formalist way plus its ominous rhythm from its short two-beat lines to complement the directness on how the subject is told could present the readers the dreading sense of the poem.

In a way of establishing a touch through the depths of the passage and its metaphorical and allegorical point of view, the subject which is the rose takes account of being a literary flower, the conventional symbol of love. The flower is living as the hostage of the worm - the image of biblical serpent and the symbol of death. The worm creeps in unnoticeably in the rose's very bed where the flower itself is starting to wither. This denotes that love is infected; the rose is ailing unawarely, and so is love. The love which is being destroyed discreetly, tainted by secrecy which the symbol of immorality suffices towards the shame and the death of the one-sided passion.

The poem states how love could be so weak whenever not paid back, most especially when it starts to confuse the holder. It could result to obsession, then madness.